Access 2026 Voice Connection – AEDT

Schedule of Events: Australian Eastern Daylight Time (AEDT)

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Junior Giscombe discusses his long career as a vocalist and his recent experience of sustaining and adapting to a vocal injury. His treating team also share their insights on supporting performers.

What incarcerated youth can teach voice and speech professionals in 2026.

Meet and connect with others attending the conference in this relaxed, informal space.

This roundtable will explore how emerging AI technologies are shaping voice, speech, and performance practices. Panelists will examine key concepts while discussing practical applications in coaching, research, and actor training, alongside broader questions about ethics, intellectual property, and labor impacts. Drawing on current experiments and industry perspectives, the conversation will consider how professionals in voice and speech can thoughtfully engage with AI tools, distinguish between useful technologies and hype, and adapt to a rapidly evolving landscape.

Voice is dualistic representing our physical, literal sound and symbolic, a representation of identity and power. This discussion aims to amplify the strength and experiences of people living with historically marginalised voices and highlight the systemic barriers and challenges faced in many clinical, therapeutic and pedagogical settings.

Dr Ron Morris offers insight into the use of Accent Method by speech and language therapists to treat clinical voice disorders, and its use as pedagogical tool for singing teachers.

Meet and connect with others attending the conference in this relaxed, informal space.

A demonstration of pedagogical methods based on recent longitudinal research to enable to mature female singer to sustain vocal competency and health.

Coaching Young Voices: How can we best support young performers as their voices develop, artistically, physically, and emotionally? This session aims to explore a collaborative, child-centred approach to coaching young voices.

Penny Anne O’Donnell (Speech and Language Therapist), Laura Neel (Voice Coach), and David Keefe (Musical Director) combine their experience across clinical voice care, technical vocal training, and musical direction to offer a holistic framework for practitioners working with children and adolescents. This session is designed for speech and language therapists, singing teachers, choir leaders, musical directors, and other professionals working with young performers. Attendants will explore practical tools, shared language for interdisciplinary collaboration, and evidence-informed strategies to nurture healthy, confident young voices.

An opportunity for open reflection and skill-sharing following workshops.

This presentation examines how a hypersensitive larynx causes chronic refractory cough, and abnormal throat sensations. Through case studies and data from four research studies, we’ll demonstrate practical diagnostic approaches to differentiate reflux-driven from sensory-driven phenotypes. The session will cover current evidence-based management strategies and emerging office-based treatments, including neuromodulators, speech therapy and laryngeal botulinum toxin injection.

This session will discuss the causes of abnormal throat sensation including reflux, asthma and mucous. Underlying mechanisms and inflammation vs vagus nerve sensitivity will be explored followed by management options.

Discussion and idea-sharing for those interested in research. All are welcome!

Voice specialists—scientists and artists, academics and clinicians, theorists and practitioners—share many common goals and interests. Yet our differences in philosophical orientation, historical status, and cultural style can make it hard to collaborate. Suggestions for cross-disciplinary work include engaging with both didactic and experiential ways of learning and navigating more openly around our stereotypes. New paradigms from cognitive science further validate somatic and interpersonal training methods. The unitary, integrative nature of the voice rewards such efforts.

Discussion and idea-sharing for those interested in research. All are welcome!

Laryngectomy, the removal of the larynx, is a life-saving but life-changing procedure, most often performed for throat cancer. The surgery alters voice, swallow, smell, taste, intimacy, social activity, and even daily routines such as bathing and defecation, all of which can negatively affect quality of life. The male-to-female ratio of laryngectomees is approximately 4:1, with a mean age of 60.

For women, the psychosocial impact is amplified. Their low-pitched substitute voices often leave them vulnerable to discrimination including misgendering and disregard, while the association of throat cancer with alcohol and smoking carries heightened stigma for women. The added disproportionate burden of caring responsibilities for women further complicates recovery.
Our study focused on five female members of the Shout at Cancer Laryngectomy Choir (ages 42–75), representing diverse social backgrounds, professions and family arrangements. Using feminist standpoint methodology, an interactive workshop (led by a female singing coach with expertise in pedagogy, rehabilitationand the socio-political psychology of marginalised voices) identified themes for follow-up in individual, unstructured interviews.
Findings highlight that altered voice with limited expressive range profoundly affected all aspects of participants’ professional and personal lives. Combined with negative social experiences, these challenges prolonged psychological recovery and adaptation. Participants emphasised that laryngectomy heightened vulnerability to discrimination and social exclusion andmade underlying societal gender inequalities more visible and confronting. Our study highlights the implications of these experiences for the multidisciplinary care team supporting female laryngectomy patients.

This presentation investigates the fundamental environmental and interpersonal conditions required for effective cognitive engagement in the voice studio. By exploring the “interrupts” and “disconnects” often experienced in a rehearsal room and/or teaching space, this session invites a curiosity regarding what is foundational in cultivating a learning environment.

Central to this research is the principle of safety before cognition: the recognition that neuro-inclusive practice is not merely an additive strategy, but a baseline requirement. We will examine how intentionally cultivating a sense of safety within the working environment functions as a catalyst for cognitive availability, allowing for a more equitable and embodied approach to voice and speech training.

An opportunity to explore the intersection of clinical speech and voice therapy and traditional spoken voice teaching in this practical workshop, designed for all voice professionals. We will explore ideas and exercises from both disciplines, and get curious about how an integration of these approaches can best support voice, communication and accent development. This work is developed primarily from voice and text work with children and young adults, although many of the practical ideas are easily transferable to work with adults.

An opportunity for open reflection and skill-sharing following workshops.

Meet and connect with others attending the conference in this relaxed, informal space.

Conversation Training Therapy (CTT) was developed over a decade ago as a novel approach to voice therapy. It removes the therapeutic hierarchy common in most voice therapy programs. CTT flips the traditional voice therapy model on its head by focusing on sensory discrimination in real conversation, not drills or hierarchy, as the driving force for change. Increasing sensory discrimination of voice & speech production while talking is the main goal of CTT. In this 90-minute workshop, participants will learn the component parts of CTT, observe therapy in action, and engage in experiential learning (doing CTT!).

An opportunity for open reflection and skill-sharing following workshops.